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The danger of a single storyThis TEDGlobal video is one of the most poignant talks I've ever viewed. It is by Chimamanda Adichie, an African novelist, who shares some experiences of how encountering a single story of a person, people or country framed the way she viewed them. Her point is that being exposed to a single story is very dangerous, and that we've got to open ourselves up to "balanced stories" in order to really get a grasp on the world around us.
As I have written before, the heart of narrative therapy is about helping a client identify the "dominant story" they have of their own life, and to create awareness of the "alternative stories" that are present and, if given some prominence, open a doorway to healing and intentional living. Again, Adichie resonates with this:
The power of the single story is it's ability to deceive. But I also believe the danger of buying into a single story of a person, an organisation, an idea or a country is that it limits the range of possibilities we see on the horizon. Nassim Taleb, in his book The Black Swan, is well known for his critique of narrative. The problem of narrative, for Taleb, is how it distracts us from seeing the range of possibilities out there ... and hence when an event takes place that was outside of the realm of possibility allowed by a particular narrative, it has catastrophic results. I heard an American say shortly after 9-11 that he did not believe it was possible for the US to be attacked on home soil. If this belief was widespread, which I suspect it was, it had developed over time into what Adichie would call a "single story". Taleb would call it a "narrative". Others may call is a discourse. What ever it was, it allowed people to buy into a dominant view point that left the possible alternatives at bay. A client recently challenged Sonja and I about our use of narrative in light of Taleb's critique. I really do agree with Taleb - he highlights the danger of single stories, much the same as Adichie does. Rather, our viewpoint is around the power of mass narrative. A single story is limiting in seeing the possibilities out there, but capturing mass narrative opens up our eyes to what is possible, especially from a scenario planning perspective. The issue for me is how we choose to expose ourselves to stories. We can live life absorbing the stories our families tell us, that the media presents us with, or we can choose to intentionally scan for more "balanced" stories. In the end, it is up to our own choice to scan for stories that balance out the single stories we get faced with. The down side is that it is much more of a cognitive and emotional load listening to alternative stories. Sadly, it is much easier to buy into a single story of an organisation, a person or an ethnicity.
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Re: The danger of a single story
I like to diversify my stories via Nassim's Barbell portfolio strategy: most of my yet-to-be-falsified stories inform my life while I thinker upon this platform with new, novel, and unexamined stories.
We keep the 'door to the unknown ajar' that way (Feynman's words).
Best,
Brent
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